Sunday, 14 August 2011

The Script


Danny O'Donoghue and Mark Sheehan met in a club in The Liberties area of Dublin, Ireland near the Guinness brewery, gravitating to each other through a shared liking of music, and in particular a love of American black music. "At that time, MTV only came on in Dublin after midnight, it was the fuzzy channel, and for my generation black culture was just a wave through us all," explains Sheehan. "It wasn't about gangs and guns; it was fashion and fun, singing and dancing.
Mark and Danny were formerly part of a band that had formed in 1996 called mytown. Striking up a songwriting and production partnership, O'Donoghue and Sheehan's talent was recognized early, and, to their astonishment, they found themselves invited to Canada to collaborate with some of their production heroes, including such legends of modern R&B as Dallas AustinMontell Jordan and Teddy Riley. They were based in the US for many years, but moved back to Dublin where they recruited Glen (MAX) Power for their new band. He had been playing sessions from the age of fifteen, using the money to work on a solo project in his home. But that went on hold when his collaboration with Mark and Danny produced three songs in one week. The band signed to Phonogenic in 2005, and released an EP onLast.FM. The band's influences include a diverse group of artists that include U2The PoliceThe NeptunesTimbaland, and Van Morrison, all of which contribute to their distinct sound. O'Donoghue also made a reference to Amy Winehouse and Stevie Wonder while discussing his personal voice while singing. They have worked on a few collaborations with Amy Winehouse and Denzel Washington, varying styles and genres. He stated that the instrument he attempts to imitate is a violin, based on the string arrangements of Stevie Wonder, while Amy Winehouse is similar to a saxophone.
Danny and Mark started making demos for other artists, but when they met drummer Glen Power, the objective changed. The pair had never heard Power play, but they made a connection that motivated Sheehan to invite Glen on a working holiday to Los Angeles. In one week, the trio produced three songs. "It was like I found my home playing with these guys," says Glen. "I had never had a chance with any other band to express myself with such freedom." "Individually, we all had our own talents, but together it just went to another level," according to Danny.
In the beginning years of the band, Mark Sheehan's mother fell terminally ill, causing a lot of stress on the band and members, but it also had a positive effect on Sheehan's writing. With such strong emotional tension, the songwriter found new lyrics every day. Sheehan said that "That was the time when it finally came home to me how important music was to me, 'cause in my darkest moments that's what got me through." After Sheehan's mother's passing, ten months after her diagnosis, Danny's father died four months later of a heart attack. Even with such trying moments in their early years, the band was able to rise out of it, albeit with somewhat bleak lyrics in several songs, as commented by Danny when referencing "We Cry": "There is not a lot of hope in the song, cause not everybody's life is full of hope. There's not always roses at the end.

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